Crime scene photography

Mandi’s research indicates that a photographer must be critical by understanding the weather and terrain of locations that need to be photographed. For example, there is an urgent need to photograph the scene quickly and accurately to ensure that evidence remains substantial and accurate if the weather changes. Apparently, her work clearly enlightens the three types of photographs imperative to a crime scene Staggs, 2005. She goes ahead to show their relevance systematically, allowing a reader to gain a clear understanding of her work. In addition, her work is written in a logical manner, ultimately engaging the reader, making him or her yearn to learn more. Personally, I have learned through her work about three types of photographs that play an insignificant role to the investigator regarding the crime scene.
Response to Jennifer
Jennifer clearly elaborates how these advancements work and how the forensic photographer is able to gather relevant evidence from the crime scene. Major enlightenment from this article is that forensic photographers must always take photographs without a standard of measure because it ensures that there is no alteration or removal of evidence. Lastly, I can firmly attest that her article greatly enlightens the reader on fingerprint photography and keeps the learner engaged from the start as information flows smoothly throughout the entire paper.