A rebel and a non conformist english literature essay

At onset of this tale Sammy is made shown as a non-conformist and a rebel. He is against any authority figures. This is first shown when a shopper a middle aged woman argues with him after he mistakenly rung up something twice because he was preoccupied watching the three girls walk around the store, he compares the lady to a pig and describes her as ” a witch about fifty,” and says ” if she’d been born at the right time they would have burned her over in Salem,” (Updike 300). A reader at first might get the impression that Sammy is disrespectful and bellicose. From the instant the three girls walk in into the store until the moment Sammy departs the A&P as an employee for the last time; his mind is occupied with the daringness of the girls to walk into the store with only their bathing suits. One might dismiss this as teenage dreams. However upon going-over it turns out that this is only partly correct. It’s easy to dismiss this as simple teenage dreams. Upon examination it turns out that this is only half right. Indeed, Sammy’s extremely critical nature about the girls does make him seem like a jerk. At one point he describes ” this one, with one of those chubby berry-faces…the kind of girl other girls think is very ‘ striking’ and ‘ attractive’ but never quite makes it…which is why they like her so much,” (300). His labeling of the young girls only aids his idea to nickname the leader ” Queenie”, the girl who seems to be walking in front of the other girls and ” had talked the other two into coming in here with her,” (301). Sammy is set to go against the flow of the grain of society’s values is his telling the regular patrons who are shopping as ” sheep”. As he watches Queenie and her two followers walk down the aisles of the store, he notices ” the sheep pushing their carts down the aisle” and the uproar that’s beginning because ” the girls were walking against the usual traffic pattern” (301). These three free spirited girls have ruffled the feathers of the patrons, so to speak, and Sammy observes ” a few house slaves… even look(ing) around after pushing their carts past to make sure what they had seen was correct,” (301). Sammy is delighted to see the girls have so deliberately violated the laws as laid forth by the old-fashioned society these customers belong to is obvious. Also obvious is his disdain for the customer’s disgusted and surprised reactions to the girls. During the climax of the story, the three girls have found what they needed—a can of herring snacks—and made their way to the cash register Sammy is running. At this point the manager of the store, Lengel, walks in and notices the girls. Sammy’s description of Lengel is interesting because it truly solidifies the fact that he dislikes the status quo. The fact that Sammy says Lengel walks through the door and ” is about to scuttle into that door marked MANAGER behind which he hides all day,” suggests that he is bitter about the fact that those with power manage to get away with reaping the benefits of the average man’s work ethic (Updike 303). After Lengel notices the girls lack of clothing, he approaches them and informs them that ” this isn’t the beach,” (303). Queenie tells Lengel they just came in for one thing; when Lengel tells her that they should still be ” decently dressed” she replies ” We are decent,” (303). Here is where the generational gap is the widest. According to M. Gilbert Porter, ” Lengel represents the Voice of The Establishment. As one of the ‘ kingpins’ who enforce ‘ policy,’ he seems himself as the voice of authority, the guardian of the community ethic,” (1157). It is this ” community ethic” set forth by traditions the elders follow that creates Sammy and Queenie’s want for freedom. Sammy and Queenie connect here because while ” she remembers her place, a place from which the crowd that runs the A&P must look pretty crummy,” Sammy’s gears are beginning to turn in the offensive direction (Updike 303). The finale of all of the actions and feelings during the course of the story comes when Sammy confronts his manager and tell him I quit. After witnessing the way Lengel puts down the girls for breaking the mold, Sammy is determined to win the affections of Queenie by breaking the mold himself. Tired with the politics of his job and the society at large he belongs to, he decides to quit. His motivations may be debatable because when he tells Lengel he’s quitting he does it so “(the girls) will stop and watch me, their unsuspected hero,” but in due course his action is typical of the want for change and freedom his generation will push for (304).” A&P” would not be such a meaningful and interesting piece of literature if the author were boring. Updike was a bit of a freedom seeker himself. Not only did he push boundaries with his first book Rabbit, Run (his publisher feared legal action because of the extreme nature of the lead characters sexual experiences), he also was heavily involved in world issues (Academy). Updike was ” the youngest person ever elected to the National Institute of Arts and Letters, and was invited by the State Department to tour eastern Europe as part of a cultural exchange program between the (U. S.) and the Soviet Union,” (Academy). He would continue to be heavily involved in world issues while also writing literature with empowering characters like The Witches of Eastwick. Perhaps Sammy is just a watered down projection of Updike’s own self into a typical teenage situation. John Updike’s ” A&P” is a classic and important example of the time in which it was written. The need for change felt so passionately in narrator Sammy propels the story through what should be a standard situation of teenage ignorance and makes it become a representation of one of the most historical movements in United States history. Perhaps it is because Updike was such a worldly and boundary pushing person himself that the story speaks volumes instead of just chapters. So while Sammy thinks he is defying the laws of traditional behavior, he is actually encouraging it as well.